The best-preserved Roman religious spa north of the Alps has drawn pilgrims to its 46°C thermal waters since 70 CE, when the occupying legions built Aquae Sulis around the Sacred Spring that still produces 1.17 million litres daily. The lead-lined Great Bath survives with its original Roman plumbing, surrounded by Victorian statues of emperors and governors added during the 1890s restoration. The museum displays the gilt-bronze head of Sulis Minerva, 130 curse tablets inscribed by wronged Romans seeking divine justice, and the astonishing temple pediment depicting a fierce Gorgon head that confused scholars for centuries.

The last great medieval cathedral built in England rises 49 metres above the Sacred Spring, its 52 exterior ladders carved in stone commemorating Bishop Oliver King's 1499 dream of angels ascending to heaven. The Perpendicular Gothic fan-vaulted ceiling spans the entire nave with the most intricate stonework of its kind in Britain, while 640 wall memorials cover nearly every surface, creating what Robert Southey called a theatre of marble. Climbing the 212 steps of the Tower Tour reveals the bells, the ringing chamber, and panoramic views over Bath's honey-coloured rooftops.

Beau Nash's 18th-century social headquarters is where Georgian society gathered each morning to drink a glass of hot spa water, promenade in new fashions, and arrange marriages, business deals, and scandals. The elegant neoclassical room with its Corinthian columns, crystal chandelier, and Tompion longcase clock still serves the sulphurous mineral water from the King's Spring fountain, now accompanied by classical music from the Pump Room Trio and traditional Bath buns. Jane Austen described this very room in both Northanger Abbey and Persuasion.

John Wood the Younger's 1774 sweep of 30 terraced townhouses forms the finest Georgian crescent in Europe, its unified Ionic facade of 114 columns stretching 150 metres across the hillside above Royal Victoria Park. Number 1 Royal Crescent operates as a museum recreating 18th-century domestic life with original furnishings and servants' quarters. Just below, the Circus built by John Wood the Elder between 1754 and 1768 forms a perfect circle of three equal arcs where 528 carved emblems decorate the Doric frieze, reflecting Masonic symbolism the Woods wove throughout their Bath designs.

The Jane Austen Centre at 40 Gay Street occupies a townhouse next door to where the novelist actually lived between 1801 and 1806, the years that inspired the two Bath-set novels Northanger Abbey and Persuasion. Costumed guides walk visitors through Austen's ambivalent relationship with Bath society through period rooms, first editions, and interactive exhibits exploring the Regency world she satirised so brilliantly. The Regency Tea Room upstairs serves lemon drizzle cake, scones with clotted cream, and tea in bone china served by staff in period dress.

Robert Adam's 1774 bridge spanning the River Avon is one of only four bridges in the world lined with shops on both sides, inspired by Florence's Ponte Vecchio and Venice's Rialto. The Palladian facade of five arches and two pavilions conceals boutique shops and cafés accessed from Argyle Street, while from below the V-shaped horseshoe weir creates a thunderous 3.5-metre cascade photographed from Parade Gardens. The bridge appeared in the 2012 film Les Misérables as the site of Javert's dramatic leap into the Seine.

Britain's only natural thermal spa combines Georgian buildings with a modern glass extension where the open-air rooftop pool offers bathers panoramic views over Bath Abbey and the honey-stone city below. The 33°C waters rise from the same three thermal springs the Romans tapped two thousand years ago, filtered through limestone for ten thousand years before reaching the surface. The Minerva Bath, wellness suite with ice chamber and infrared sauna, and evening twilight sessions with wine make this the living continuation of Bath's 2,000-year spa tradition.

Sir Thomas William Holburne's 1782-built Sydney Hotel became one of Bath's most loved museums when the 4,000-piece collection of European paintings, Italian bronzes, Dutch silver, porcelain, and miniature portraits opened to the public in 1893. The facade facing Great Pulteney Street has been recognisable since the 2020 Netflix series Bridgerton used it as Lady Danbury's residence. Gainsborough's portraits of Bath's fashionable clientele hang alongside works by Reynolds, Stubbs, and Turner who all painted in Bath during its Georgian heyday.

One of Bath's oldest houses was built around 1482 and has served the famous Sally Lunn bun since 1680, a brioche-like round loaf named after the Huguenot refugee who supposedly created the recipe. The museum in the cellar displays the original Georgian kitchen with its coal-fired range, while the tearooms above serve the bun toasted with sweet cinnamon butter or savoury mushroom fillings using recipes unchanged for three centuries. The cramped medieval rooms beneath ancient beams make it one of the most atmospheric eating experiences in England.

The Neolithic stone circle 65 kilometres southeast of Bath was erected between 3000 and 2000 BCE by people who transported bluestones 240 kilometres from the Preseli Hills of Wales using methods still debated by archaeologists. The UNESCO site's visitor centre displays the reconstructed face of a Mesolithic man who lived on the site 10,000 years ago, while audio guides explain the astronomical alignments that track sunrise at the summer solstice and sunset at the winter solstice. Organised bus tours from Bath take approximately 45 minutes each way.