Your tour guide will take you on this nice walk in the middle of the ancient rome on via dei fori imperiali to enjoy the imperial forum and the roman forum.

Is a central hub of Rome, Italy, in which several thoroughfares intersect, including the Via dei Fori Imperiali and the Via del Corso. It takes its name from the Palazzo Venezia, built by the Venetian Cardinal, Pietro Barbo (later Pope Paul II) alongside the church of Saint Mark, the patron saint of Venice. The Palazzo Venezia served as the embassy of the Republic of Venice in Rome. One side of the Piazza is the site of Italy's Tomb of the Unknown Soldier in the Altare della Patria, part of the Monument to Vittorio Emanuele II, first king of Italy. The piazza or square is at the foot of the Capitoline Hill and next to Trajan's Forum. The main artery, the Via di Fori Imperiali begins there and leads past the Roman Forum to the Colosseum. Capitalizing on this modern and ancient symbolism--and the useful open space--Piazza Venezia was the location of public speeches given by the Italian dictator Mussolini to crowds of his supporters in the 1920s-1940s.

You'll be able to see the area where julio cesar was killed on March 15th in 44 B.C.

A pantheon is an overview of a given culture's gods and goddesses and reflects not only the society's values but also its sense of itself. A pantheon directed by a thunderbolt wielding autocrat might suggest a patriarchy and the valuing of warrior skills. A pantheon headed by a great-mother goddess could suggest a village-based agricultural society. To confront the pantheon of the Egyptians is to confront a worldview marked by a sense of death and resurrection and the agricultural importance of the cycles of nature. The Greek pantheon is a metaphor for a pragmatic view of life that values art, beauty, and the power of the individual, and that is somewhat skeptical about human nature.

Defined as a public space in the last years of 15th century, when the city market was transferred there from the Campidoglio, Piazza Navona was transformed into a highly significant example of Baroque Roman architecture and art during the pontificate of Innocent X, who reigned from 1644 until 1655, and whose family palace, the Palazzo Pamphili, faced the piazza. It features important sculptural creations: in the centre stands the famous Fontana dei Quattro Fiumi or Fountain of the Four Rivers (1651) by Gian Lorenzo Bernini, topped by the Obelisk of Domitian, brought in pieces from the Circus of Maxentius; the church of Sant'Agnese in Agone by Francesco Borromini, Girolamo Rainaldi, Carlo Rainaldi and others; and the aforementioned Pamphili palace, also by Girolamo Rainaldi, that accommodates the long gallery designed by Borromini and frescoed by Pietro da Cortona.

The Trevi Fountain (Italian: Fontana di Trevi) is an 18th-century fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world.

The Spanish Steps (Italian: Scalinata di Trinità dei Monti) are a set of steps in Rome, Italy, climbing a steep slope between the Piazza di Spagna at the base and Piazza Trinità dei Monti, dominated by the Trinità dei Monti church at the top. The monumental stairway of 135 steps (the slightly elevated drainage system is often mistaken for the first step) was built with French diplomat Étienne Gueffier's bequeathed funds of 20,000 scudi, in 1723–1725,[citation needed] linking the Trinità dei Monti church that was under the patronage of the Bourbon kings of France and the Bourbon Spanish Embassy at the top of the steps to the Holy See in the Palazzo Monaldeschi at the bottom of the steps. The stairway was designed by architects Francesco de Sanctis and Alessandro Specchi.