Enjoy the marvels inside the Piazza dei Miracoli, 4 monuments: The Baptistery (famous for its echo), the Cathedral, the Leaning Tower, the Cemetery. Take a souvenir photo with the background of the leaning Toore that you are holding.

The Pisa Baptistery of St. John (Italian: Battistero di San Giovanni) is a Roman Catholic ecclesiastical building in Pisa, Italy. Construction started in 1152 to replace an older baptistery, and when it was completed in 1363, it became the second building, in chronological order, in the Piazza dei Miracoli. The shape of the building, the material used, the distribution of the interior spaces given by the columns and the space between the two domes make the Baptistery create an incredible effect of acoustic resonance, better known as Echo. The sound spreads throughout the space, like a continuous wave, rising in tonality to the point of suggesting the presence of an angelic choir. Every half hour the Baptistery staff performs a small demonstration for tourists: the effect is not to be missed.

Pisa Cathedral is a medieval Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary, in the Piazza dei Miracoli in Pisa, Italy. It is a notable example of Romanesque architecture, in particular the style known as Pisan Romanesque

Admire the most famous bell tower in the world from the outside, the Leaning Tower of Pisa, known worldwide for its nearly four-degree lean, the result of an unstable foundation. The tower is situated behind the Pisa Cathedral and is the third oldest structure in the city's Cathedral Square (Piazza del Duomo), after the cathedral and the Pisa Baptistry.

The visit includes the Accademy Gallery where inside is the David, Michelangelo's famous sculpture. Michelangelo’s David at the “Accademia in addition to the work of David, there are also other sculptures and a large collection of paintings by Florentine artists.

The cathedral of Santa Maria del Fiore (Visit from outside), with its beautiful dome projected by Brunelleschi, is the cathedral of Florence. Construction began in 1296, Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome designed by Filippo Brunelleschi. The exterior of the basilica is faced with polychrome marble panels in various shades of green and pink, bordered by white, and has an elaborate 19th-century Gothic Revival façade by Emilio De Fabris.

The Baptistery of San Giovanni stands in front of the Cathedral and is the ancient religious and civil center of the city, as well as a masterpiece of Italian Romanesque. It is one of the oldest buildings in the city: it probably dates back to the 5th century, and took on its current appearance in the 11th-12th century. With an octagonal plan, it is covered on the outside with white and green Prato marble with geometric motifs and has an eight-section roof; the decoration was enriched in the 16th century with statues and bas-reliefs. The three gilded bronze doors are the work of Andrea Pisano (south door, built around 1330), and Lorenzo Ghiberti (north, 1402/25 and east, 1425/52). The east door, with Stories from the Old Testament, opens towards the Cathedral and was defined by Michelangelo as the Gates of Paradise; all the doors are copies, the originals are kept in the Museo dell'Opera del Duomo.

Adjacent to the cathedral of Santa Maria del Fiore is the Bell Tower designed by Giotto (visit outside). Giotto's Bell Tower is the majestic bell tower of the Cathedral and one of the masterpieces of Italian Gothic. The Bell Tower has a square base of approximately 15 meters per side with corner reinforcements that rise up to the horizontal cantilevered crown located at a height of 84.7 metres.

Piazza della Signoria has been at the center of Florence's political life since the 14th century. The Square has seen important historical events and great triumphs take place, such as the return of the Medici in 1530. The famous sculptures located in Piazza della Signoria have references to the political events of Florence. The David (the original is located in the Accademia Gallery) was created by Michelangelo and positioned in front of Palazzo Vecchio to symbolize the power of the Florentine Republic in contrast with the tyranny of the Medici. Hercules and Cacus (1534) by Bandinelli instead symbolizes the physical power of the family.

Built near a Roman-era crossing, the Ponte Vecchio was until 1218 the only bridge that crossed the Arno in Florence. Above Ponte Vecchio you can see a part of the beautiful Vasari Corridor. This corridor, built in 1565 by Giorgio Vasari, passes just above the goldsmith shops that currently stand on either side of the bridge. Commissioned by the Medici, it allowed them to move from Palazzo Vecchio to Palazzo Pitti without having to cross the streets of Florence, in complete safety. At the time of the construction of the Corridor, the butchers' shops were gathered on the Ponte Vecchio, whose activity probably disturbed the passage of the Medici, who in 1593 had them moved, replacing them with the more "decorous" goldsmith shops.

Piazzale Michelangelo is the most evocative point of Florence. From here you can admire the whole city with its splendid monuments. This square was dedicated to the great Renaissance artist Michelangelo and the copy of David is located in the center of the square next to the four allegories of the Medici Chapels of San Lorenzo.