Spend the early morning visit the ancient capital of Angkor Thom (12th century). This huge walled complex was the centre of the world’s largest city in 1200. Following the occupation of Angkor by the Chams from 1177 to 1181, the King Jayavarman VII decided to build an impregnable fortress at the heart of his empire. The scale is simply staggering and we are immediately overwhelmed by the audacity of Jayavarman on arrival at the city’s gates. The causeway is lined by an intricate bridge depicting the Churning of the Ocean of Milk from Hindu mythology in which the devas (gods) and asuras (devils) play tug of war with a naga (seven-headed serpent) to obtain the elixir of immortality. Its vast walls, some 6m wide, 8m high and 13km in length contain many monuments.

Next, visit Bayon temple surrounded by faces on all sides, visitors never forget the enigmatic and enchanting temple of the Bayon. At the exact centre of Angkor Thom, this is an eccentric expression of the creative genius and inflated ego of Cambodia’s most celebrated king. Its 54 towers are each topped off with the four faces of Avalokiteshvara (Buddha of Compassion), which bear more than a passing resemblance to the king himself. These colossal heads stare down from every side, exuding power and control with a hint of compassion, just the mix required to keep a hold on such a vast empire. Unlike his predecessors who had worshipped the Hindu deities of Shiva and Vishnu, Jayavarman VII adopted Mahayana Buddhism as the fount of royal divinity. This sets the Bayon apart from many other Angkorian monuments. The bas-reliefs here depict intricate scenes of ancient battles against the Chams and offer a wonderful snapshot of daily life during the Angkor period.

You’ll then continue to visit Baphuon. It is located in Angkor Thom, northwest of the Bayon. Built in the mid-11th century, it is a three-tiered temple mountain built as the state temple of Udayadityavarman II dedicated to the Hindu God Shiva.

Stroll to the Terrace of the Elephants is part of the walled city of Angkor Thom. The terrace was used by Angkor's king Jayavarman VII as a platform from which to view his victorious returning army. It was attached to the palace of Phimeanakas, of which only a few ruins remain.

We also visit, Terrace of the Leper King is located in the northwest corner of the Royal Square of Angkor Thom, Cambodia. It was built in the Bayon style under Jayavarman VII, though its modern name derives from a 15th-century sculpture discovered at the site. The statue depicts the Hindu god Yama, the god of death.

Next, visit Phimeanakas or Vimeanakas, is a Hindu temple in the Khleang style, built at the end of the 10th century, during the reign of Rajendravarman, and then completed by Suryavarman I in the shape of a three tier pyramid as a Hindu temple.

Next, you’ll continue to Ta Phrom this temple is perhaps the most atmospheric of all Angkor’s treasures. The temple was a monastery built by Jayavarman VII as a residence for his mother. Ta Prohm has been left to the destructive power of nature by archaeologists to demonstrate the awesome power of nature. It has been largely consumed by the jungle and as you climb through the dilapidated stone structures you see many giant trees growing out of the top of the temple itself. At every turn you expect to see Indiana Jones or Lara Croft step out from behind a fallen pillar. It is one of the most regularly visited temples, with visitors often arriving during the middle of the day to take advantage of the protective forest canopy above the ruined temple. Ta Prohm looks as many of the monuments did when European explorers first laid eyes on them. This was one of the settings for Lara Croft’s adventures in “Tomb Raider”. Afterwards, enjoy a break for your own lunch.

After a break for lunch, the late afternoon and sunset hours, explore Angkor Wat, the largest and most breathtaking monument at Angkor. Built as the funeral temple for King Suryavarman II, who ruled from 1112 to 1152, Angkor Wat never fails to reward the first time, or repeat, visitor with its grand scale, surreal bas reliefs and unbelievable attention to detail.