Éléments | Maria Stuarda at the Metropolitan Opera House Ticket
Maria Stuarda at the Metropolitan Opera House Ticket
New York City
Informations importantes
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Des options de transport en commun sont disponibles à proximité
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Accessible aux fauteuils roulants
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Adapté à tous les niveaux de condition physique
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Les meilleures places disponibles sont attribuées par le théâtre au moment de l'achat et seront répertoriées sur vos billets réels.
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Accessible Seating, please advise in the ‘Special Requirements’ field at the time of check out: Transfer seating (retractable arm aisle seat) or Wheelchair seating (empty wheelchair space)
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A searingly dramatic setting of Friedrich Schiller’s play about Mary, Queen of Scots, and her political and personal rivalry with Queen Elizabeth I of England, Maria Stuarda had a troubled genesis, despite its musical and theatrical brilliance, and only recently achieved a place in the repertory. These two fearsome rivals embody different perceptions of royalty, which were very much in direct conflict at that moment in time, and the opera’s drama is true to history in a way the facts are not.
For all the beauty of its orchestral writing, Maria Stuarda is a prime example of the mid–19th-century bel canto style—the drama is firmly embedded in the vocal parts. A notable curiosity of the score ...
Points forts
2 heures et 55 minutes
Proposé en Allemand (Allemand) & 3 Autres
Non remboursable
Billet mobile
2 heures et 55 minutes
Proposé en Allemand (Allemand) & 3 Autres
Non remboursable
Billet mobile
Ce qui est inclus
Toutes les taxes, frais et frais de manutention
Points de rendez-vous
Départ
The Metropolitan Opera
Retour
Maria Stuarda at the Metropolitan Opera House Ticket
New York City
À propos
A searingly dramatic setting of Friedrich Schiller’s play about Mary, Queen of Scots, and her political and personal rivalry with Queen Elizabeth I of England, Maria Stuarda had a troubled genesis, despite its musical and theatrical brilliance, and only recently achieved a place in the repertory. These two fearsome rivals embody different perceptions of royalty, which were very much in direct conflict at that moment in time, and the opera’s drama is true to history in a way the facts are not.
For all the beauty of its orchestral writing, Maria Stuarda is a prime example of the mid–19th-century bel canto style—the drama is firmly embedded in the vocal parts. A notable curiosity of the score ...
Points forts
2 heures et 55 minutes
Proposé en Allemand (Allemand) & 3 Autres
Non remboursable
Billet mobile
2 heures et 55 minutes
Proposé en Allemand (Allemand) & 3 Autres
Non remboursable
Billet mobile
Ce qui est inclus
Toutes les taxes, frais et frais de manutention
Points de rendez-vous
Départ
The Metropolitan Opera
Retour
Itinéraire
1
The Metropolitan Opera
On the heels of her triumphant portrayal in the recent new production of Bellini’s I Puritani, Lisette Oropesa climbs another peak of the bel canto soprano repertoire, the doomed Scottish queen at the heart of Donizetti’s charged historical drama. Soprano Angela Meade is Elisabetta, the English monarch out for blood, with tenor René Barbera as Leicester, the nobleman they both love. Maestro Enrique Mazzola takes the podium for David McVicar’s striking production.
