Positionen | Maria Stuarda at the Metropolitan Opera House Ticket
Maria Stuarda at the Metropolitan Opera House Ticket
New York City
Wichtige Informationen
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Geeignet für alle körperlichen Fitnessniveaus
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Die besten verfügbaren Plätze werden zum Zeitpunkt des Kaufs vom Theater zugewiesen und sind auf Ihren eigentlichen Tickets aufgeführt.
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Accessible Seating, please advise in the ‘Special Requirements’ field at the time of check out: Transfer seating (retractable arm aisle seat) or Wheelchair seating (empty wheelchair space)
Stornierungsbedingungen
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A searingly dramatic setting of Friedrich Schiller’s play about Mary, Queen of Scots, and her political and personal rivalry with Queen Elizabeth I of England, Maria Stuarda had a troubled genesis, despite its musical and theatrical brilliance, and only recently achieved a place in the repertory. These two fearsome rivals embody different perceptions of royalty, which were very much in direct conflict at that moment in time, and the opera’s drama is true to history in a way the facts are not.
For all the beauty of its orchestral writing, Maria Stuarda is a prime example of the mid–19th-century bel canto style—the drama is firmly embedded in the vocal parts. A notable curiosity of the score ...
Höhepunkte
2 Stunden und 55 Minuten
Angeboten in Deutsch (Deutsch) & 3 Andere
Nicht erstattungsfähig
Mobiles Ticket
2 Stunden und 55 Minuten
Angeboten in Deutsch (Deutsch) & 3 Andere
Nicht erstattungsfähig
Mobiles Ticket
Was ist enthalten?
Alle Steuern, Gebühren und Bearbeitungsgebühren
Treffpunkte
Abreise
The Metropolitan Opera
Rückkehr
Maria Stuarda at the Metropolitan Opera House Ticket
New York City
Über uns
A searingly dramatic setting of Friedrich Schiller’s play about Mary, Queen of Scots, and her political and personal rivalry with Queen Elizabeth I of England, Maria Stuarda had a troubled genesis, despite its musical and theatrical brilliance, and only recently achieved a place in the repertory. These two fearsome rivals embody different perceptions of royalty, which were very much in direct conflict at that moment in time, and the opera’s drama is true to history in a way the facts are not.
For all the beauty of its orchestral writing, Maria Stuarda is a prime example of the mid–19th-century bel canto style—the drama is firmly embedded in the vocal parts. A notable curiosity of the score ...
